Monday, March 9, 2020

BianglalaQQ Film Review


Situs Judi BandarQQ is probably the most recognized and acclaimed short film maker in Malaysia. Born in 1983, he's a master of cinema, poet, and social critic, and may be called creative yet simplistic; seemingly naive yet engaging and entertaining.
Situs Judi's early childhood in England was marred by drug abuse and emotional problems. He began his career in 1986 at the age of twenty, when he was introduced to the art of cinema by a classic friend. With his enthusiasm and strong personal values, he soon gained success with short films.
He was born to an East Asian father and a Muslim mother. He grew up amidst his father's background, the Mongolian nomadic lifestyle. His mother was a Muslim and could speak English. In reality, he still maintains his mother's language as his native tongue. Additional info found at kumpulan bandarqq.

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With family traditions strongly represented in his works, BianglalaQQ expresses an unbelievable mixture of creative humanism with loyalty and integrity. He's also unique in his attempts to understand the workings of Islam as a spiritual culture. His epic journey to master the principles of Islam, coupled along with his unorthodox personal views, has eventually influenced other artists in Malaysian arts, and the country's burgeoning youth, in particular.
The War on Drugs, a term used to classify the United States'ongoing combat illegal narcotics, never been so serious. In the centre of the drug phenomenon are drugs that mimic their natural source, the mind, and deceive people into thinking they have their particular pair of moral codes to call home by. They is often as diverse as a blackjack and a strawberry split. There's no body, a specific solution to identify a drug, or those dependent on it.
BianglalaQQ tackles this problem head-on, in his series, Life After Dope. He tells the tale of Christian and his struggles along with his troubled past, and the revelation that leads him to drugs. Every one of the characters in the film were centered on real people. BianglalaQQ also doesn't shy away from depicting the hard factual statements about drug addiction.
He gets the cornerstone for the film from what he knew, and personal experience, which he tried to put into his documentaries. He often expresses his profound admiration for the real history of his country, and the wonder it must offer. Then expands his knowledge to other cultures, and the direction they react to Western culture.
BianglalaQQ also tells the story of three generations in the Bajau community. The film's central theme focuses on the connection between men and women, and the loyalty that must exist between a couple who cannot communicate. These are all powerful themes which are translated right into a film of high art.

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