Situs Judi BandarQQ is probably the most
recognized and acclaimed short film maker in Malaysia. Born in 1983, he's a
master of cinema, poet, and social critic, and may be called creative yet
simplistic; seemingly naive yet engaging and entertaining.
Situs Judi's early childhood in England was
marred by drug abuse and emotional problems. He began his career in 1986 at the
age of twenty, when he was introduced to the art of cinema by a classic friend.
With his enthusiasm and strong personal values, he soon gained success with
short films.
He was born to an East Asian father and a Muslim
mother. He grew up amidst his father's background, the Mongolian nomadic
lifestyle. His mother was a Muslim and could speak English. In reality, he
still maintains his mother's language as his native tongue. Additional info found at kumpulan bandarqq.
With family traditions strongly represented in
his works, BianglalaQQ expresses an unbelievable mixture of creative humanism
with loyalty and integrity. He's also unique in his attempts to understand the
workings of Islam as a spiritual culture. His epic journey to master the
principles of Islam, coupled along with his unorthodox personal views, has eventually
influenced other artists in Malaysian arts, and the country's burgeoning youth,
in particular.
The War on Drugs, a term used to classify the
United States'ongoing combat illegal narcotics, never been so serious. In the
centre of the drug phenomenon are drugs that mimic their natural source, the
mind, and deceive people into thinking they have their particular pair of moral
codes to call home by. They is often as diverse as a blackjack and a strawberry
split. There's no body, a specific solution to identify a drug, or those
dependent on it.
BianglalaQQ tackles this problem head-on, in his
series, Life After Dope. He tells the tale of Christian and his struggles along
with his troubled past, and the revelation that leads him to drugs. Every one
of the characters in the film were centered on real people. BianglalaQQ also
doesn't shy away from depicting the hard factual statements about drug
addiction.
He gets the cornerstone for the film from what
he knew, and personal experience, which he tried to put into his documentaries.
He often expresses his profound admiration for the real history of his country,
and the wonder it must offer. Then expands his knowledge to other cultures, and
the direction they react to Western culture.
BianglalaQQ also tells the story of three
generations in the Bajau community. The film's central theme focuses on the
connection between men and women, and the loyalty that must exist between a
couple who cannot communicate. These are all powerful themes which are
translated right into a film of high art.
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